We all know that photography can select or eliminate elements from a picture. The saying goes that if it’s not in the frame, it doesn’t exist. In all my years of photography that has been true. Even if it was inevitably in the frame, there were ways to get still rid of something in post-processing.

For sound recording, that is quite different. We may have microphones that are predominantly sensitive in one single direction like shotgun mics, but they don’t eliminate everything else.

When you are hauling around both photo gear and audio gear, things can go wrong pretty quickly. One of those moments comes when you have your camera on a tripod and want to record sound at the same time.

The Zoom H6 might be called “Handy” but it is anything but if you want to use it in the field and you have no place to put it. I am, for example, not willing to put it straight on the beach or in wet grass.

Here in Liverpool, we have old train tracks. The tracks were pulled long ago and the trail is open to the public for walking, hiking etc. At least there is no traffic allowed.

A few weeks ago, I acquired a Zoom F3, while a lot longer ago I got some Lavalier mics I wanted to try out.

Sometimes it is “necessary” to update the content of the toolbox. I have had plenty of times where my trusty Zoom H6 declared surrender when recording high dynamic sound. Either I got the raindrops right and the thunder was blown out, or I didn’t get the raindrops and a perfect thunderclap.

Recording in multiple formats at once is a solution, but one that bugs me.